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Film critic Jordan Hoffman tweeted that it was, “far more madcap than I expected. Really nailed what reading a 5-issue crossover comic book is like. Tons of Ezra Miller being zany and time paradox stuff. Nerds will lose their minds at the ending.”

What’s more, the character of Zurg isn’t all that much of a threat, as it turns out, and the big battle scene is ultimately a way to resolve a time paradox.

“If I was going by the book to make a time-travel film, ‘Petite Maman’ would have to be set in a very particular time and there would have to be a time paradox or a reasoning for how they could get back, which you would have to hide and then reveal,” she said.

Especially with a story like that where there’s natural conflict because of this time paradox.

Heinlein could do it all, whether writing about a generation starship in “Universe,” playing with time paradox in “By His Bootstraps” or turning out the best juvenile sf novels ever, including my favorite, “Citizen of the Galaxy,” which opens unforgettably: “ ‘Lot ninety-seven,’ the auctioneer announced.