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“The terpsichorean abilities of the ballet equaled the wonderful voices of the chorus. The ballet pictures and dances … were enhanced by the dancers wearing their colorful national costumes.”

Directed and choreographed by a trio of tap stars — Dormeshia, who is acclaimed enough to go by one name; Derick K. Grant; and Jason Samuels Smith — the production recalls Robinson’s terpsichorean talents.

Forty-four years on, the former newsreader is still championing the terpsichorean arts in her role as Royal Academy of Dance ambassador.

And, striking a terpsichorean pose before a wall of mirrors — why, it’s Donna McKechnie, who won a Tony in 1976 for “A Chorus Line.”

May is obsessed with a study for Matisse’s fabled “The Dance,” which is brought to terpsichorean life by an all-female ensemble.