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Doerr, meanwhile, creates a tender kind of suspense, alive and surprising and hopeful without careening into schmaltz.

Perhaps these things recycle with each new generation, along with the anxieties that writers hinge their suspense on.

Losing time sounds like it should slot neatly into a ticking-clock suspense film, but it never achieves liftoff the way “Memento” turned an amnesiac’s daily struggle into catnip.

There’s a total lack of suspense as he tracks down the mercenaries responsible for Sarah’s death and takes them out using his own creative means.

When the subject turns to how triggering vibration notifications — a key sound in the film — may become for viewers after watching “Drop,” Fahy grows animated as she recalls the saga of convincingly generating that suspense.