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“Framing Agnes” premiered at Sundance last January, where it won the audience and innovator awards in the festival’s Next category, and went on to garner rave reviews; Ms. Magazine praised its “surprisingly gripping format,” while The New Yorker called it “a film of quiet but decisive radicality.”

That radicality was attached to improvisation and innovation.

But this show, organized with the Tate Modern in London, is big enough — with some 120 paintings, watercolors and drawings — that an even larger sense of Cézanne’s radicality emerges.

“Many artists in that era were working on conceptual art and radicality, but I have to say that Claude was not part of any movement,” she said in an interview.

“Something quite amazing happened during this campaign. The radicality of Eric Zemmour has softened the image of Marine Le Pen,” Bruno Cautres, a political scientist at Sciences-Po university in Paris, told Reuters.