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He and Chen give the film’s least naturalistic and most delightful performances.

The dialogue he wrote for Benjamin in the final version of the script feels more naturalistic, he thinks, because it was directly referencing his daughter and son’s behaviors and reactions.

One of the mistakes directors make is assuming that Chekhov’s plays offer a naturalistic slice of life.

In the Guardian, Mangan said its technical accomplishments "are matched by an array of award-worthy performances and a script that manages to be intensely naturalistic and hugely evocative at the same time".

Lee and Chen’s script is naturalistic — i.e., most of Long’s back story goes unsaid and exists simply in the wrinkles in Nghia’s face — but flashbacks give us glimpses of his years in a prisoner-of-war camp.