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Her acting in Puccini’s “Manon Lescaut” in a 1969 Rome Opera performance was singled out for praise by Opera magazine: “Zeani, a most musical and feminine interpreter of Manon, brought out all the part’s desperate passion throughout the opera with much lyrical ardor and touching expressiveness.”

It was late April, and Netrebko had just finished a performance of Puccini’s “Manon Lescaut” at Opéra de Monte-Carlo.

After the performance, as Netrebko walked back to the Hôtel de Paris Monte-Carlo with her husband, the tenor Yusif Eyvazov, who had starred with her in “Manon Lescaut,” she said she felt a reprieve from the scrutiny of critics in the United States and Europe, as well as in Russia, where she had recently come under fire for speaking out against the war.

Monastyrska became known for sensitive portrayals of opera’s most famous characters, including Lady Macbeth, Manon Lescaut and Abigaille in Verdi’s “Nabucco,” which she sang at the Met in 2016.

Instead, Ms. Netrebko will now appear in Monaco, singing the title role in another Puccini opera, “Manon Lescaut,” in four performances at the Opéra de Monte-Carlo, the company announced on Thursday.