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She held up the example of Vanessa Redgrave playing Mary Tyrone in “Long Day’s Journey Into Night” as proof of her theory.

He took detours back to Broadway, including a Tony-nominated performance in the 1986 revival of Eugene O'Neill's "Long Day's Journey Into Night" and an acclaimed turn as Sky Masterson in the 1992 revival of "Guys and Dolls," an experience he describes as "the hardest run I'd ever had."

Since Blanche, she has stepped into the historic roles of two larger-than-life mothers on Broadway and in the West End: Amanda Wingfield in Tennessee Williams’ “The Glass Menagerie” and Mary Tyrone in Eugene O’Neill’s “Long Day’s Journey Into Night.”

Like “The Glass Menagerie” and “Long Day’s Journey Into Night,” Vogel’s drama is a deeply personal play, the work of an artist unpacking those sealed boxes from the past that contain the most forbidding family secrets.

“And since doing ‘Long Day’s Journey Into Night’ eight years ago, I’ve been approached by people asking what I would like to do next.