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All one really needs to know is she’s trying to control Dracula, and that sets off a war among monsters, with her own coming to her defense.

Bram Stoker's novel Dracula has been adapted numerous times, and vampires in general are never far from our screens.

“I have joked — and it’s not a bad comp — that we’re reaching for Merchant/Ivory doing Hammer Horror,” says Eggers, who staged a version of the Germanic “Dracula” doppelgänger in high school.

“In ‘Dracula,’ Lugosi is going to London for, I don’t know, world domination,” the director explains.

From the melodic Sicilian ghosts of “The Godfather” by composer Nino Rota to the aching Eastern European love theme in “Bram Stoker’s Dracula” by Wojciech Kilar, his stories ooze with musical expression.