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This one differs from something like, “The Notebook,” or “Message in a Bottle,” or “Dear John,” in that there's actually two stories going on.

Swift doesn’t portray herself precisely as a victim as she did in old tunes such as “Dear John” or “All Too Well,” to name two of her masterpieces about unscrupulous men; nor is there anything dewy-eyed about “The Alchemy,” which likens falling for a new guy to a chemical imbalance.

“I accept it for all editors who toil in the darkness of an editing room ... to create a unique, believable world born to the imagination. And most of all, I want to thank John, my dear John.”

But not long after Mr. Angeloni opened his account, he got his own Dear John letter.

Supporters of the kakariki karaka - a green parakeet - put up billboards reading: "Dear John, don't disrupt the pecking order".