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But in “The Tempest,” Shakespeare takes this proposition a step further, directly equating the ephemeral conjurations of the theater with the transient reality of the audience.

It’s an inward-looking musical conjuration of a city that’s partially vanished — to refugee outflows, to military curfews — and a city that is still, defiantly, standing.

A cracking whip and a thudding bass drum bring this sublime conjuration to an end.

However, according to Section 365 of Canada's Criminal Code, it is illegal to "fraudulently pretend to exercise or to use any kind of witchcraft, sorcery, enchantment or conjuration".

He stopped and looked at me like he’s puzzling, then said, “I’m going to have to do some more contemplating over this. On the one hand this might be an act of conjuration.”