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Not content to be serviceably generic, however, the Mark Bacci script takes a third-act turn into full-on, take-no-prisoners melodrama, from which it never recovers.

Several moments within the director Catherine Hardwicke’s latest film “Prisoner’s Daughter” contain glimmers of promise, each one regrettably smothered by a pedestrian script from Mark Bacci.

Ms. Stevens is the lead singer for Tredici Bacci, a soundtrack music band in New York.

“For us, a family of four is 80 bucks and then sales tax, which is nothing to do with me,” said Enea Bacci, an owner.

Then there was Mr. Bacci down in Connecticut with his 20-cents-off roll.